V/A battle of metal SP25-5044
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Artist = V/A
Title = battle of metal
Label = SMS
Catalog# = SP25-5044
Barcode = none
Release = JAPAN
Year = 198?
RPM = 33rpm
Disc Size = 12"
Number of Discs = 1
Mono/Stereo = stereo
10trk, rajas, marino, sexual, hurry scuary
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Showcasing the Early Kansai Metal Offensive: The ‘Battle Of Metal’ Compilation (SP25-5044)
Let’s delve into a crucial compilation that captured the rising tide of Japanese heavy metal in its formative years, specifically focusing on the vibrant Kansai scene: “Battle Of Metal.” Released in February 1984 on SMS Records, this 10-track, 12-inch vinyl LP carries the catalog number SP25-5044 and includes the original obi strip.
Produced by Yoshiyuki “Xebious” Ono, this compilation served as a vital snapshot, bringing together four distinct bands striving for recognition within the rapidly growing heavy metal circuit. Recorded under strict time constraints at the Takarazuka Sounds Atelier Studio (reportedly used by the Takarazuka Revue), the tracks possess an almost live, one-take energy, capturing the raw intensity of the era.
The featured bands represent the diverse sounds emerging from the Kansai region:
Marino: Contributing three powerful tracks (“Impact,” “High Flying,” “Shake Down”), showcasing their signature melodic heavy metal sound, driven by Raven Ohtani’s exceptional guitar work. “Impact” and “Shake Down” are considered classic anthems not just for Marino, but for the entire Kansai metal movement. These recordings arguably capture a rawer dynamism compared to their later major label debut. Sexual: Adding two tracks (“Rock Tonight,” “Whisky Roller”) with a distinct rock ‘n’ roll influence within the hard rock framework. Rajas: Featuring three songs (“Angel,” “Shock!,” “Take My Heart”) that became representative of their style. Known for their glamorous image and the powerful, expressive vocals of Kuniko “Sen” Morikawa, the band also notably featured Tadashi “Crazy-Cool-Joe” Masumoto (later of DEAD END) on bass during this period. Hurry Scuary: Rounding out the compilation with two tracks (“Rock’N Roll Paradise,” “It’s Just A Radio”). Their sound here is described as leaning towards American hard rock, distinctly different from the more melodic style found on their later major debut album.Compilations like “Battle Of Metal” were instrumental in bringing wider attention to the burgeoning regional scenes. The album came packaged with an obi strip and a detailed 4-page insert containing band information and lyrics, providing valuable context.
SP25-5044 remains an essential document for anyone exploring the roots and diversity of early 80s Japanese heavy metal, particularly the raw energy and talent emanating from the Kansai underground.