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Alice Cooper’s New Wave Makeover: ‘Flush The Fashion’ (P-10823W)
Today’s entry highlights a radical departure in the shock rocker’s discography. We are examining the 1980 Japanese Pressing of Flush The Fashion by Alice Cooper, released on Warner Bros. Records (manufactured by Warner-Pioneer) with the catalog number P-10823W.
The “Blackout” Era Begins
Released in 1980, this album marks a distinct stylistic shift for Alice Cooper. moving away from his classic 70s hard rock sound toward a sharp, synthesizer-driven New Wave and Post-Punk aesthetic. Produced by Roy Thomas Baker (famous for his work with Queen and The Cars), the album features a stripped-down, mechanical sound that fits perfectly with the turn of the decade.
The album is best known for the hit single “Clones (We’re All),” which features a driving synth bassline and robot-like vocals. Other standouts include the gritty “Pain,” the punk-infused “Talk Talk,” and “Model Citizen.” It is a fascinating snapshot of a legend reinventing himself to survive the changing musical landscape.
Japanese Edition Details
This pressing is a high-quality example of Japanese manufacturing from the early 80s:
- Liner Notes: The release includes commentary by the renowned Japanese rock critic Kaoruko Togo, offering local context on Cooper’s transformation.
- Lyric Insert: The album comes complete with a lyric insert, essential for following the album’s quirky, sci-fi themed lyrics.
It is an essential record for collectors interested in the intersection of classic rock icons and the New Wave movement.